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Kromamusik

statement

Nature, the passage of time, identity, the influence of our surroundings on the individual, the emotional depths of the human soul, the body and technology are among the recurring elements in the work of this multidisciplinary artist. Conceptual enquiry, abstraction and a continual search run throughout her practice, arising not from the media she works with but from the course of her own life.

While studying Art, Hispanic Philology and Law, she began an artistic practice centred on musical composition, writing, drawing and photography. In recent years, installation, short film and video art have become increasingly important forms of expression. Her work is driven by an interest in the fundamental questions of human existence: our place in the world, consciousness and emotion, approached through the immediate world around us as well as through science, anthropology and humanism. The everyday and the invisible coexist within her creative imagination as complementary polar forces, in a territory where magical realism and surrealism can both find a place.

Both in her conceptual works and in those of greater abstraction, the themes that run through her practice are viewed through a cosmocentric understanding of life in which the human is part of a universal pulse. Her creative process therefore becomes an experience of connection: external experience gives way to an inner journey in which the vibration of the invisible takes material form in works that map the intangible. Form and sound join an ancestral, deeply human inheritance which, projected through her own subjective vision, connects us with a cosmic order. These are times and spaces in which the invisible condenses into form and sound, distilling the vibration of the universe within us.